(Check out when some upcoming movies will be released at the bottom)


Friday, December 30, 2011

Adele's 21

Not too long ago, I wandered into That CD Shop at Raffles City and seeing a "3 for $49.90" promotion, went on to selecting 3 CDs, even though I don't really have space for more CDs at home. To justify, the albums would have cost over $70 if not for the offer. :P

One of these three was Adele's 《21》, which is currently one of the top-selling albums for 2011. Well, having listened to it many times, I'm still wondering why it's the top-selling album. Don't get me wrong. I like the album and it's not a bad one. Her voice is great and the songs are all nice, even the lyrics carry weight. Maybe the mystery lies in the long article here. Ah well, to each his own.

I know the really popular tracks on the album are Rolling in the Deep and Someone Like You, and I've also heard Rumor Has It playing a lot on radio. But personally, my favourite song on the album is Set Fire to the Rain. Maybe it's the contradictory nature. How do you set fire to rain? So here it is.

Wednesday, December 28, 2011

New Year's Eve

It's been a while since I caught this and well, have been caught up with stuff.

New Year's Eve is a multi-story movie that explores relationships, regrets and hope. Don't expect a hype-up mood to give you a ra-ra to the countdown, which was the whole premise of the show happenings with the various characters on New Year's eve (NYE).

You have the Vice-President of the NYE Ball Drop committee (or something to that effect), Claire (Hillary Swank), who was managing the Ball Drop for the first time.

Then there's the timid Ingrid (Michelle Pfeiffer) and her resolutions that she wanted to fulfill...all in one day, but with the help of a dispatch boy, Paul (Zach Efron).

There are the 2 couples fighting to give birth to the 1st New Year's Day baby, vying for the cash prize.

The chef, Laura (Katherine Heigl), and her ex beau, Jensen (Jon Bon Jovi), the rock star, as the latter tries to win her back.

The costume designer cum divorcee (Sarah Jessica Parker) with her teenage daughter (Abigail Breslin).

The eligible bachelor, Sam (Josh Duhamel) with the 1-year pact with a woman he met one year ago.

The anti-New Year comic artist (Ashton Kutcher) and the aspiring back-up singer (Lea Michelle) stuck in the lift.

The dying man (Robert De Niro) whose wish is to see the NYE ball drop for the last time.

And many more.

For me, the early part of the show wasn't that engaging for me, but what turned things around was when Hillary Swank's character gave that moving speech addressing the stall in the NYE ball raising. As it moved those in the show, it moved me. And that was when the show took a more emotionally driven direction, though I felt it still didn't get one so connected still, maybe because the emotional highs of the scenes (whether happy or sad) weren't held long enough before the change of scene, which often felt to me to brush off that climatic moment with a scene that wasn't in the similar mood. I guess that's the way it is with this kind of shows.

However, the show did bring across some good messages about new hopes, new promises, fulfilments, relationships,  reconciliation and kindness. You can say each story had an icing on the cake, or maybe a silver lining. I liked the part when Griffin Bryne (Seth Meyers) finally gave up on winning the cash prize as he saw the other vying couple needed the money more. I believe their child was born earlier, but he gave a later time.

I also liked the funny turn when Claire and Sam crossed paths and the audience were like surprised, because most of us were led to think that Sam's wait was for Claire (there was some 1 year thing going on for both of them). But a quick reassessment of the remaining folks still yet to make that nice ending easily brought us to derive the complete relations of the cast. However, the "grand entrance" of Sarah Jessica Parker at the end was a tad too contrived with the horse carriage and all. I guess it was to create that "magic moment" but I felt maybe it's just because its SJP's style. But how do you get that through the streets on NYE?

The acted blooper scenes at the end were pretty fun to watch, rounding up the show.
Before I end, I was surprised how far Michelle Pfeiffer has aged. Yes, it's been quite a while since I saw her on screen. And Abigail has grown so big and getting prettier! Still remember her as Little Miss Sunshine.

Sunday, December 18, 2011

Calm in the Eye of the Storm

Storm. The tumultuous emotions that comes with hope, confusion, desperation, pain, fear etc. that leads one to make certain decisions just to want to nullify it.

Eye. The sudden resolution and numbness, maybe even feyness, of which one feels an unreal calm to carry out that decision. Dazed.

Return of the storm. The aftermath of the fateful deed when the reality of the consequences sets in; when confusion, despair and fear returns, of whether you have done the right thing or will regret it, of whether you will fully recover and heal. Of whether you will pull through. Flashbacks of the past plague you and all your thoughts are in a mire.

If everything follows this sequence, does it mean the sunshine will really come after? One will never know unless you survive.

Thursday, December 08, 2011

Titanic: The Artifact Exhibition


Event: Titanic: The Artifact Exhibition (100th Anniversary, 1912-2012) (link)
Venue: Marina Bay Sands ArtScience Museum
Showing: 29 October 2011 - 29 April 2012

I first got interested in Titanic because (you've guessed it) the movie with Leonardo DiCaprio and Kate Winslet. But what really struck me deep was not the love story, but the tragedy of the whole event, which could have been prevented to a certain extent and the lives lost. How something of such technical "perfection" could fall as such. The under-used life boats, the poor lookout, etc. And all these were even more apparent and brought me back to what I had "researched" before when I visited the exhibition.

As no photography was allowed, I won't have photos to show you, so hopefully I can describe my experience as best I can. The exhibition was bigger (and better) than I expected and I think I took almost 2 hours covering it, leaving the museum near closing time at about 10pm, with no dinner (I was exploring the Dali exhibition before this). Definitely worthed visiting. Tickets are at $24, and if you're local, you get 15%. OCBC card holders get 20% off.

At the entrance, you'll be given a "boarding pass" which has been printed with the name of a real passenger on the Titanic. You're supposed to check the name against the list of survivors (and casualties) at the Memorial Gallery later. Here's mine (front & back), Mrs. William R Bucknell.
Upon entering, you're greeted with the image of the bow of the ship where the commissioned photographer will take a picture of you (which you can place orders for later), as if you're really boarding the ship.

The exhibition starts off with an introduction to the conception and construction of the colossal ship. One can't help but be amazed by the engineering feat. And as you continued, you are shown the re-created staterooms, dining luxuries, cabins and the various types of dinnerware, toiletries, amenities, etc. with comparisons between the first, second and third class passengers' utilities. I loved the music they were playing, but my Track ID failed to identify what the pieces were. The disparities between the classes were wide, but generally, the third class passengers experienced much better lodging and amenities than as they would have experienced on other ships. And of course, there's the famous Grand Staircase, where you can again, have your photo taken.

Following that, one would be led into the Boiler Room, where you would know the work that goes on in the bowers of the ship. You would also find out how the watertight chambers worked, but sadly failed to keep the waters out eventually, as more than half the chambers were filled with water due to the collision. As the shipbuilder, Thomas Andrews, said in despair, it was impossible for Titanic to survive.

Then came one of the most beautiful part of the ship for me, the promenade deck. The illusion of a 100-feet deck was created with facing mirrors. And stepping out from the boiler room zone, you are immediately greeted with a beautiful star-filled night sky. As you leaned over the railing, the play of lights simulated waves. It was almost real, beautiful and peaceful. I could have stayed there for ages just basking in the gentle breeze (yes, that was included too) and quietude of that moment. But it made it all the more tragic of what was to come on that fateful night.

With reluctance, I left the solace of the promenade and came face-to-face with the iceberg. A big block of freshwater ice loomed in the next room for us to get a feel of the freezing conditions in the North Atlantic of that night. It was really very cold and imagine that saltwater ice is even colder! Most of the passengers who died didn't really die of drowning, but of the cold. And the pain of it was that the earlier launches of the lifeboats were not filled! If more could have gotten into the boats, there would have been more survivors. And also, it was noted that there weren't actually sufficient boats available. Even worse, the lookout didn't have binoculars (he misplaced it), by which was the reason the warning came too late. It was sadly a combination of the various factors that turned this into a tragedy that could have been avoided.
One of the unfortunate events too was that a portion of the passengers were actually transfers from other intended passages due to coal strikes happening throughout the UK. Many of the other ships couldn't sail. Titanic managed to consolidate the coal resources that were available from these ships for her passage across the Atlantic. Unlucky, you might say, for these people.

The most touching part would probably be the accounts or stories of the people who died, including the personal effects of those who perished. As one reached the Memorial Gallery, we are faced with the list of those we were saved and lost (here's where your boarding pass comes in). By this time, probably with the help of the music and having soaked up the whole ambience and story, I was already feeling sad once again for Titanic and its passengers. This particular line quoted struck me as I held back my tears. One passenger, Ida Straus, when asked to board a lifeboat (the priority was given to women and children), said "I will not be separated from my husband. As we have lived, so we will die: together". It just tore through my heart...one can only sigh. And there were many of these personal accounts that would set your heart aggrieved.
However, I did read an interesting account of a supposed passenger, Howard Irwin. He was supposed to take the ship, but was kidnapped and eventually escaped from his captors. His friend, Henry Sutehall, Jr., nonetheless brought his possessions on board thinking it was one of Howard's habits of arriving at the last minute. You can say that Howard's kidnap was a blessing in disguise. Henry sadly died on the fatal voyage. Both of them were musicians and the recovery of Howard's possessions revealed an old score of "Love's Old Sweet Song" by JL Molloy (I think it was from Howard's possessions).

As the exhibition came to a close, the setting was as if we were underwater, with glass floor under our feet and artifacts sunken in the sand (ocean floor) to simulate depths of where Titanic sank. There was also a small section on Singapore's response and reports on the event.

So there, a journey through the depths of the Titanic. And oh yah, "I" survived.

Dali: The Mind of A Genius exhibition

It is to my vague memory that I somehow didn't visit the Dali Universe in London (near the London Eye) way back in 2006. So with the exhibit drawing to a close, I "rushed" to visit the Dali exhibition at MBS on its last 2nd day.
I don't know how I should describe his works. His genre is surrealism, and I guess his most famous creation would be his melting clock series.
 MBS_Dali2011-95

Anyway, as a prep, here are the symbols and their meanings that Dali used in his pieces. 

Drawers - secrets
Ant - death and sexual desire
Crutch - death and resurrection
Grasshopper - fear and anxiety
Butterflies - soul
Egg - life, love and hope
Snail - human head
silhouettes - spirit and apparitions

Hard outside, soft inside - lobster, egg, bread, melted watch.

I didn't take that many notes at the exhibition but just some things that stood out. If you noticed, the faces of most of the sculptures don't really have distinct features.
 MBS_Dali2011-43
There was one pretty creepy one (to me) of Alice (of Wonderland) though. But to Dali, Alice was the ideal representation of surrealism.
MBS_Dali2011-81
There were also a few angel sculptures and this one's pretty unique in its way, called Vision of an Angel where the thumb in bricks was supposed to represent God I think. A tower maybe?
MBS_Dali2011-50
Of the exhibits, I kind of liked this one called Man with Butterfly. I don't know why I liked it, but maybe because of how "balanced" it was; how it can stand like that on its own and maybe a sense of symmetry. It was almost life-like to me.
MBS_Dali2011-19

Another aspect of his works was that they could contain double meanings in their symbolism.

Besides sculptures, Dali does paintings and drawings as well, but those weren't  really my cup of tea. But 1 particular form (furniture) that stood out for me was this particular display mounted on the wall/ceiling (probably the way they were mounted & arranged had some influence on me).
MBS_Dali2011-59

Personally, I think I very much preferred Charles Rennie Mackintosh's works (interior design & furniture). He's one of my favourite designers especially after my experience with his creations in Glasgow.

It was an interesting exhibit nonetheless.