Following from a lecture a few weeks ago, where half of it was supposed to be on Singapore music, the lecturer turned around to ask us Singaporeans (he's German) if we knew what Singapore music is/was. Is there really an identity to our music, or for that matter, for any art form?
Honestly, I feel that we don't really have that much of a national identity/character in our music. As pointed out, our music is basically broken up into the 4 main cultural groups - Chinese, Malay, Indian, Western. Even if we did a fusion of these 4 types, it is still distinctly drawing from these 4 cultural groups. The lecturer also pointed out that for fusion, what we do here is on a superficial level, i.e. fusing famous music and/or instruments, and thus, in a sense, not exactly original. It is unlike other parts of Southeast Asia or Asia, e.g. Javanese gamelan & Thai music, that has some distinctive characteristic in the melodies & instruments. Thus, the search for a Singapore identity in music (or any art form for that matter) is still ongoing.
However, one might argue that that is what Singapore music is about - adaptations. We adapt all the different influences we have to blend in with our culture & society (racial harmony?). And it shows our character as a nation; that we can (creatively) adapt to situations, and don't necessary follow a pattern...we are dynamic. As also emphasized (in class) before, this exemplifies the fact that music is social, i.e. music happens in a social setting. Maybe we don't have "traditional" music like other regions, but Singapore pop music scene? I like to feel proud that our Singapore songwriters have made a mark and influenced the Chinese pop music scene and their music is exported.
However, we do have some distinct genres to speak of, although they are not widespread/cross-cultural (in a sense). An example is 新谣 (xin yao). It basically translate as Singapore folk songs which was popular in the 1980s. (some info) We have well-known songwriters (& singers) like 许环良、梁文福、黎沸挥,李伟菘、偲菘兄弟 & 巫启贤 born of that era. There is a certain flavour to the songs that is different from what we know as pop music today.
And who can dismiss the distinct character of our National Day songs? Although we see our songs evolving to be very "pop" these days, the older songs, once heard would inadvertently give us the notion "this is definitely a National Day song", even if it were heard for the first time.
A further analysis into the arts:
Do we use art to express what we "can't" normally do in regular life, like satires? Just like our theatre...in fact, if you noticed, our theatrical arts has a very unique flavour especially our satires, and you must be living in Singapore to fully appreciate the references. I would say we focus on what's in the content, the witticism in the words used.
10 years ago
